Bartholomew Renier Lynch

"Psoas" 
		Bartholomew Lynch, 
		40 " x 24 " 
		colored pencils on frosted acetate, 
		2016Two main actors occupy different views of the same environment. One man, in the bottom left corner, bends down to draw a square around him. Another man, to the left of middle, struggles to maintain balance, but head tips over heals. Plan drawings, isometric and renderings of a home help inform the space.
"Psoas"  Bartholomew Lynch,  40 " x 24 "  colored pencils on frosted acetate,  2016
"Break Me Apart" 
		Bartholomew Lynch, 
		10 " x 8 " 
		drawing with graphite and colored pencil on medium weight cotton paper, 
		2015a property line bisects vertically, buffetting a drawinage wave and rodent eye against striated farmland and contributing firmament. The house design with various plans, projections, and presentational views belongs to the left rectangle.
"Break Me Apart"  Bartholomew Lynch,  10 " x 8 "  drawing with graphite and colored pencil on medium weight cotton paper,  2015
"A Street Construction" 
		Bartholomew Lynch, 
		10 " x 8 " 
		red colored pencil on medium-weight cotton paper, 
		2013•
"A Street Construction"  Bartholomew Lynch,  10 " x 8 "  red colored pencil on medium-weight cotton paper,  2013
"Florins" 
		Bartholomew Lynch, 
		9 1/4 " x 7 1/2 " 
		colored pencil on light-weight cotton paper, 
		2013
"Florins"  Bartholomew Lynch,  9 1/4 " x 7 1/2 "  colored pencil on light-weight cotton paper,  2013
"Playing Frogger" 
		Bartholomew Lynch, 
		10 " x 8 " 
		graphite on Kozo paper, 
		2013
"Playing Frogger"  Bartholomew Lynch,  10 " x 8 "  graphite on Kozo paper,  2013
"Quantum Bubble" 
		Bartholomew Lynch, 
		13 1/2 " x 10 " 
		graphite on Bristol paper, 
		2013
"Quantum Bubble"  Bartholomew Lynch,  13 1/2 " x 10 "  graphite on Bristol paper,  2013
"Yoink Dit-Dah" 
		Bartholomew Lynch, 
		10 " x 8 " 
		graphite on light-weight Arches paper, 
		2013
"Yoink Dit-Dah"  Bartholomew Lynch,  10 " x 8 "  graphite on light-weight Arches paper,  2013
"Check Limit" 
		Bartholomew Lynch, 
		10 " x 8 " 
		graphite on light-weight Arches paper, 
		2013
"Check Limit"  Bartholomew Lynch,  10 " x 8 "  graphite on light-weight Arches paper,  2013
"Cadaver with Ribcage Reflected - BIO355" 
		Bartholomew Lynch, 
		10 " x 8 " 
		Colored Pencils on Watercolor Paper, 
		2013
"Cadaver with Ribcage Reflected - BIO355"  Bartholomew Lynch,  10 " x 8 "  Colored Pencils on Watercolor Paper,  2013
"cadaverAnteriorThoraxProfundus_watercolor" 
		Bartholomew Lynch, 
		2013
"cadaverAnteriorThoraxProfundus_watercolor"  Bartholomew Lynch,  2013
"cadaverAnteriorThoraxSuperficialWithPort" 
		Bartholomew Lynch, 
		2013
"cadaverAnteriorThoraxSuperficialWithPort"  Bartholomew Lynch,  2013
"cadaverThoraxFlayedWithWrapsAndBag" 
		Bartholomew Lynch, 
		2013
"cadaverThoraxFlayedWithWrapsAndBag"  Bartholomew Lynch,  2013
"Plein Air - Papago Park" 
		Bartholomew Lynch, 
		10 " x 8 " 
		colored pencil, ink on lightweight arches, 
		2012A veiw of Papago Park looking North, northwest from a nearby picnic area.
"Plein Air - Papago Park"  Bartholomew Lynch,  10 " x 8 "  colored pencil, ink on lightweight arches,  2012
"Backscru33er" 
		Bartholomew Lynch, 
		10 " x 8 " 
		graphite on medium-weight cotton paper, 
		2012
"Backscru33er"  Bartholomew Lynch,  10 " x 8 "  graphite on medium-weight cotton paper,  2012
"Something From Your Life" 
		Bartholomew Lynch, 
		9 1/4 " x 7 1/2 " 
		graphite on medium-weight cotton paper, 
		2012
"Something From Your Life"  Bartholomew Lynch,  9 1/4 " x 7 1/2 "  graphite on medium-weight cotton paper,  2012
"Chimi Churro" 
		Bartholomew Lynch, 
		36 " x 24 " 
		conte on white heavyweight cotton Rives/BFK, 
		2010A short haired lady looks over her shoulder at the view as workers and shysters toil in the background.  Cliffs and gunners swirl in the background and foreground.
"Chimi Churro"  Bartholomew Lynch,  36 " x 24 "  conte on white heavyweight cotton Rives/BFK,  2010
"Gum-Toothed Gonzo" 
		Bartholomew Lynch, 
		36 " x 24 " 
		watercolor, colored pencil, acrylic, ink on heavy-weight Rives/BFK, 
		2010Value direction creates movement slowly from left to right.  Many different times blend together executed in desaturated colors.
"Gum-Toothed Gonzo"  Bartholomew Lynch,  36 " x 24 "  watercolor, colored pencil, acrylic, ink on heavy-weight Rives/BFK,  2010
"Ms. Pac-Man Night Party" 
		Bartholomew Lynch, 
		36 " x 24 " 
		ink, colored pencil on heavy-weight Rives/BFK, 
		2010Black, white, and desaturated yellow, magenta, and orange define objects in a shallow space against a deep space.  A hockey puck, owl parts, and Ms. Pac Man characters emerge.
"Ms. Pac-Man Night Party"  Bartholomew Lynch,  36 " x 24 "  ink, colored pencil on heavy-weight Rives/BFK,  2010
"Persephone in the Pines" 
		Bartholomew Lynch, 
		36 " x 24 " 
		egg tempera, pastel on heavy-weight Rives/BFK, 
		2010A lady sits on a tree stump and reaches over her shoulder to grab the branch of a neihboring tree.  A man kneels around the back of that tree to get a view of her.  Another man crouches at another tree, and a horse and rider gallop with a dog in the background near a city.  A hose or cable loops in the foreground.
"Persephone in the Pines"  Bartholomew Lynch,  36 " x 24 "  egg tempera, pastel on heavy-weight Rives/BFK,  2010
"Pucker Fuss Preperatory Drawing" 
		Bartholomew Lynch, 
		33 " x 22 " 
		water soluble colored pencil, watercolor on frosted acetate, 
		2010Nine hand maidens are spread around a large oak tree where Jellon Grame hangs for his deed.  His mistress lays at the base of the tree.
"Pucker Fuss Preperatory Drawing"  Bartholomew Lynch,  33 " x 22 "  water soluble colored pencil, watercolor on frosted acetate,  2010
"The Surprise of Boundless Temerity" 
		Bartholomew Lynch, 
		36 " x 24 " 
		conte on heavy-weight cotton paper, 
		2010A man crawls dangerously on the ground next to a bald woman who stares at herself in a pocket televisor
"The Surprise of Boundless Temerity"  Bartholomew Lynch,  36 " x 24 "  conte on heavy-weight cotton paper,  2010
"figStudyMBenStand34UGA_lithCrayon" 
		Bartholomew Lynch, 
		2010
"figStudyMBenStand34UGA_lithCrayon"  Bartholomew Lynch,  2010
"figStudyMSeatedChairLateralOCAF_lithCrayon" 
		Bartholomew Lynch, 
		2010
"figStudyMSeatedChairLateralOCAF_lithCrayon"  Bartholomew Lynch,  2010
"figStudyMSeatedPosteriorWithArmsUGA_pen" 
		Bartholomew Lynch, 
		2010
"figStudyMSeatedPosteriorWithArmsUGA_pen"  Bartholomew Lynch,  2010
"figStudySeatedChair34OCAF_cp" 
		Bartholomew Lynch, 
		2010
"figStudySeatedChair34OCAF_cp"  Bartholomew Lynch,  2010
"Bending Dervish" 
		Bartholomew Lynch, 
		24 " x 36 " 
		egg tempera, pastel, conte on heavy-weight Rives/BFK, 
		2009This back-bending figure gets fleshier from torso to head.  He looks at a penny while holding someting whispy in his hands.
"Bending Dervish"  Bartholomew Lynch,  24 " x 36 "  egg tempera, pastel, conte on heavy-weight Rives/BFK,  2009
"Persephone My Little Pony" 
		Bartholomew Lynch, 
		10 " x 8 " 
		water soluble colored pencil, colored pencil on frosted acetate, 
		2009
"Persephone My Little Pony"  Bartholomew Lynch,  10 " x 8 "  water soluble colored pencil, colored pencil on frosted acetate,  2009
"figStudyFLyingBackUGA_pen" 
		Bartholomew Lynch, 
		2009
"figStudyFLyingBackUGA_pen"  Bartholomew Lynch,  2009
"figStudyFSeated34UGA_pen" 
		Bartholomew Lynch, 
		2009
"figStudyFSeated34UGA_pen"  Bartholomew Lynch,  2009
"No Monkey Shines" 
		Bartholomew Lynch, 
		10 " x 7.5 " 
		ink, colored pencil, monoprints on light-weight tan laid cotton, 
		2008A man facing away in the bottom left hand corner steadies his aim inside a flooded room with an exit to the right and a doorway up the middle.  The keystone in the doorway is a blue colored skull with red sockets
"No Monkey Shines"  Bartholomew Lynch,  10 " x 7.5 "  ink, colored pencil, monoprints on light-weight tan laid cotton,  2008
"Persephone Discomfort Recto" 
		Bartholomew Lynch, 
		9 " x 7.5 " 
		ink, colored pencil, marker on frosted acetate, 
		2008Seen from above, a female lays near the base of a tree while a kneeling man in a white sleeveles shirt presents a bundle to her.  A purple floating head is in the bottom right corner and a blue skull above that.  The left side is framed with embryonic marks and words "Make a Mark" and "Hairy Allen Media Assassin".
"Persephone Discomfort Recto"  Bartholomew Lynch,  9 " x 7.5 "  ink, colored pencil, marker on frosted acetate,  2008
"Persephone Discomfort Verso" 
		Bartholomew Lynch, 
		9 " x 7.5 " 
		ink, colored pencil, marker on frosted acetate, 
		2008A female lays in the center with a man presenting a bundle and a boner.  She is inbetween wake and sleep and her head is at the top of the frame near the base of a tree.  Floating heads and words fill the left and right sides respectively.
"Persephone Discomfort Verso"  Bartholomew Lynch,  9 " x 7.5 "  ink, colored pencil, marker on frosted acetate,  2008
"Persephone Permanent Record Recto" 
		Bartholomew Lynch, 
		9 " x 7.5 " 
		ink, colored pencil, marker on frosted acetate, 
		2008A startle female begins to flee from her place of rest at the base of tree, scared by a little boy behind the tree.  A priest leans against the tree looking up and a shirtless man walks in on it all wearing a tall crown and running shoes.
"Persephone Permanent Record Recto"  Bartholomew Lynch,  9 " x 7.5 "  ink, colored pencil, marker on frosted acetate,  2008
"Persephone Permanent Record Verso" 
		Bartholomew Lynch, 
		9 " x 7.5 " 
		ink, colored pencil, marker on frosted acetate, 
		2008A startle female begins to flee from her place of rest at the base of tree, scared by a man in a bear suit lookig both towards and away from the female.  A praying priest leans against the tree gazing down, and a shirtless man rushes into the party from a red region.
"Persephone Permanent Record Verso"  Bartholomew Lynch,  9 " x 7.5 "  ink, colored pencil, marker on frosted acetate,  2008
"Red Card" 
		Bartholomew Lynch, 
		9 " x 7.5 " 
		ink, colored pencil, monotype on tan light-weight laid cotton paper, 
		2008A bent toothed kid screams at the bottom while a smiling cowled face hovers nearby.  A small door and silhouette are at the ground floor of a greenish whirling maze interior.
"Red Card"  Bartholomew Lynch,  9 " x 7.5 "  ink, colored pencil, monotype on tan light-weight laid cotton paper,  2008
"Snap Tooth Logic" 
		Bartholomew Lynch, 
		10 " x 7.5 " 
		ink, colored pencil, monotype on tan light-weight laid cotton paper, 
		2008•Scenes are merged together.  One, a tall man looks from within through a doorway to the light.  Another shows a man in a diaper appealing to a female.  And another is an outdoor scene with a tree and a village in a hillside.
"Snap Tooth Logic"  Bartholomew Lynch,  10 " x 7.5 "  ink, colored pencil, monotype on tan light-weight laid cotton paper,  2008
"Interlude" 
		Bartholomew Lynch, 
		48 " x 32 " 
		colored pencil, marker, ink on paper frosted acetate linen, 
		2008Schematics drawings of a yurt interrupta firey red hellish scene of people using others and more watching.  An explosion of line from bottom to top is surmounted by a female seen from below. On the right side, cooler blues and hovering owl eyes warn as a female walks away with a glass of wine.
"Interlude"  Bartholomew Lynch,  48 " x 32 "  colored pencil, marker, ink on paper frosted acetate linen,  2008
"SteppChilde" 
		Bartholomew Lynch, 
		34 " x 22 " 
		colored pencil, ink on light-weight tan woven paper, 
		2008Balls and spyholes form an x compositionally with a red sky behind an anthropromorphic landscape
"SteppChilde"  Bartholomew Lynch,  34 " x 22 "  colored pencil, ink on light-weight tan woven paper,  2008
"Plinko" 
		Bartholomew Lynch, 
		11 " x 17 " 
		graphite on medium weight cotton paper, 
		2008
"Plinko"  Bartholomew Lynch,  11 " x 17 "  graphite on medium weight cotton paper,  2008
"Shaken Baby" 
		Bartholomew Lynch, 
		11 " x 17 " 
		graphite on medium-weight cotton paper, 
		2008•
"Shaken Baby"  Bartholomew Lynch,  11 " x 17 "  graphite on medium-weight cotton paper,  2008
"Double Portrait with Jessica Wohl" 
		Bartholomew Lynch, 
		36 " x 24 " 
		colored pencil, marker, ink on 16 lb. drafting vellum, 
		2007This portrait of me was started by Jessi Wohl.  A bandana around my hair and an affixed veil cover most of the head.  The background has an X composition and the neck is chopped a bit - that's about how I felt.  William Beckman's piece floats to the right.  This piece has another piece on the reverse side without a veil
"Double Portrait with Jessica Wohl"  Bartholomew Lynch,  36 " x 24 "  colored pencil, marker, ink on 16 lb. drafting vellum,  2007
"Grasp" 
		Bartholomew Lynch, 
		20 " x 36 " x 3 " 
		wood, colored pencil , 
		2007Drawn hands and arms come from the top right and bottom left to grasp blue rods behind 5 chair dowells mounted horizontally into vertical wood borders.
"Grasp"  Bartholomew Lynch,  20 " x 36 " x 3 "  wood, colored pencil ,  2007
"Hopped in the Chone" 
		Bartholomew Lynch, 
		24 " x 36 " 
		pastel on tan Rives/BFK, 
		2007Yellows and Reds offset with blue.  This ones about messing up and paying the price
"Hopped in the Chone"  Bartholomew Lynch,  24 " x 36 "  pastel on tan Rives/BFK,  2007
"Zanzinger" 
		Bartholomew Lynch, 
		36 " x 24 " 
		colored pencil, marker on frosted acetate, 
		2007Zanzinger did bad, right Bob?
"Zanzinger"  Bartholomew Lynch,  36 " x 24 "  colored pencil, marker on frosted acetate,  2007
"Mothers and Fathers" 
		Bartholomew Lynch, 
		36 " x 24 " 
		colored pencil, marker, ink on medium weight cotton paper, 
		2006A male and Female face hover above a cloud with a space craft in between them.  The colors are yellow, blue, red and grey.
"Mothers and Fathers"  Bartholomew Lynch,  36 " x 24 "  colored pencil, marker, ink on medium weight cotton paper,  2006
"Open" 
		Bartholomew Lynch, 
		36 " x 36 " 
		colored pencil, ink on medium weight cotton paper, 
		2006•A vaguely recognizable face looks in profile to the left.
"Open"  Bartholomew Lynch,  36 " x 36 "  colored pencil, ink on medium weight cotton paper,  2006
"Bypass" 
		Bartholomew Lynch, 
		36 " x 24 " 
		colored pencil, marker, ink on medium weight cotton paper, 
		2006A testicle is shot from left to right with fluid trailing behind.
"Bypass"  Bartholomew Lynch,  36 " x 24 "  colored pencil, marker, ink on medium weight cotton paper,  2006
"Crystal Castle" 
		Bartholomew Lynch, 
		33 " x 42 " 
		chalk on heavy-weight cotton, 
		2005A tight-rope walker stands above a whirlpool as his other self looks toward a person peering from the other side of a mirror.  Lady Liberty reveals her ruby red slippers as she topples amid destruction.
"Crystal Castle"  Bartholomew Lynch,  33 " x 42 "  chalk on heavy-weight cotton,  2005
"Mary" 
		Bartholomew Lynch, 
		36 " x 24 " 
		colored pencil, marker, ink on medium weight cotton paper, 
		2005•Taking place in an imagined warehouse interior, a circus of sorts is underway. A fire rages, a man struggles to guide the fire hose, a seal balances a ball, a parrot sqwaks, and one femal figure flips off an oblivious pole dancer.  Mary asks for peace in front of a conflagrating flag explosion.
"Mary"  Bartholomew Lynch,  36 " x 24 "  colored pencil, marker, ink on medium weight cotton paper,  2005
"Chicken Lifter" 
		Bartholomew Lynch, 
		42 " x 24 " 
		colored pencil, marker, ink on frosted acetate, 
		2005•A Preacher looks up towards a chicken flying in a cog-like aircraft.  A wrecking ball smashes a building on an island behind, while a vortex sucks in a mudslide.  Three workmen row in an inflatable raft in an overflow pond of a dam.  A highway soars overhead in front of a storm clouded sky.
"Chicken Lifter"  Bartholomew Lynch,  42 " x 24 "  colored pencil, marker, ink on frosted acetate,  2005
"Night Baseball" 
		Bartholomew Lynch, 
		78 " x 36 " 
		graphite on frosted acetate, 
		2005A turtle crosses railroad tracks that lead to an exploding body of water.  A rubbery line stretches around and jars lift off to the atmosphere.
"Night Baseball"  Bartholomew Lynch,  78 " x 36 "  graphite on frosted acetate,  2005
"Strangelove Revisited" 
		Bartholomew Lynch, 
		24 " x 42 " 
		colored pencil on frosted acetate, 
		2005•A man rides a wrecking ball through a decaying, overgrown city.  An elevated train spins teacups and a security globe hangs above.
"Strangelove Revisited"  Bartholomew Lynch,  24 " x 42 "  colored pencil on frosted acetate,  2005
"Supai Shuffle" 
		Bartholomew Lynch, 
		36 " x 24 " 
		pastel on medium weight cotton paper, 
		2005An earthly upheaval seperates the southwest and northwest.
"Supai Shuffle"  Bartholomew Lynch,  36 " x 24 "  pastel on medium weight cotton paper,  2005
"Not Quite the Montmarte" 
		Bartholomew Lynch, 
		32 " x 40 " 
		conte crayon on medium weight cotton paper, 
		2004•A hawkish man in a top hat offers a watch from the inside of his jacket.  A man seen from behind merges visually with a woman walking the opposite direction and a salesman hails a taxi in front of a street with a rose shop.
"Not Quite the Montmarte"  Bartholomew Lynch,  32 " x 40 "  conte crayon on medium weight cotton paper,  2004
"Breakout" 
		Bartholomew Lynch, 
		30 " x 39 " 
		conte crayon on heavy-weight cotton paper, 
		2004
"Breakout"  Bartholomew Lynch,  30 " x 39 "  conte crayon on heavy-weight cotton paper,  2004
"Detour Dan" 
		Bartholomew Lynch, 
		30 " x 40 " 
		conte crayon on heavy-weight cotton paper, 
		2004•
"Detour Dan"  Bartholomew Lynch,  30 " x 40 "  conte crayon on heavy-weight cotton paper,  2004
"Tree Fort" 
		Bartholomew Lynch, 
		32 " x 32 " 
		pastel on heavy-weight cotton paper, 
		2004
"Tree Fort"  Bartholomew Lynch,  32 " x 32 "  pastel on heavy-weight cotton paper,  2004
"Wake Up" 
		Bartholomew Lynch, 
		48 " x 32 " 
		pastel on heavy-weight cotton paper, 
		2004
"Wake Up"  Bartholomew Lynch,  48 " x 32 "  pastel on heavy-weight cotton paper,  2004
"Large Figure Study - ASU" 
		Bartholomew Lynch, 
		4 ' x 15 ' 
		lithographic crayon on butcher paper, 
		2004
"Large Figure Study - ASU"  Bartholomew Lynch,  4 ' x 15 '  lithographic crayon on butcher paper,  2004
"Anne's Board" 
		Bartholomew Lynch, 
		34 " x 42 " 
		conte crayon on heavy-weight cotton paper, 
		2003•
"Anne's Board"  Bartholomew Lynch,  34 " x 42 "  conte crayon on heavy-weight cotton paper,  2003
"Figure Study with Red Back" 
		Bartholomew Lynch, 
		24 " x 36 " 
		pastel on heavy-weight cotton paper, 
		1995
"Figure Study with Red Back"  Bartholomew Lynch,  24 " x 36 "  pastel on heavy-weight cotton paper,  1995